Deoxys ~ Meteor Cave
I'm glad that so many trans people have migrated from reddit to here because a lot of trans communities on reddit have a pretty terrible vibe compared to the ones on tumblr
Average trans post on reddit: I hate everyone and everything and the world and also myself for I am a pallid sickly frail creature cursed by being born in the wrong body, destined to never be a real woman, afflicted by the horrid reminders of my manliness every time I gaze upon the naked wretch that is my own body
Average trans post on tumblr: big fat hairy unwashed trannies who work the deep frier at Zaxby's are making me crazy 😍
Hey. Why isn’t the moon landing a national holiday in the US. Isn’t that fucked up? Does anyone else think that’s absurd?
It was a huge milestone of scientific and technological advancement. (Plus, at the time, politically significant). Humanity went to space! We set foot on a celestial body that was not earth for the first time in human history! That’s a big deal! I’ve never thought about it before but now that I have, it’s ridiculous to me that that’s not part of our everyday lives and the public consciousness anymore. Why don’t we have a public holiday and a family barbecue about it. Why have I never seen the original broadcast of the moon landing? It should be all over the news every year!
It’s July 20th. That’s the day of the moon landing. Next year is going to be the 54th anniversary. I’m ordering astronaut shaped cookie cutters on Etsy and I’m going to have a goddamn potluck. You’re all invited.
Hey. Hey. Tumblr. Ides of March ppl. We can do this
This is a scheduled post for two days before the anniversary of the moon landing. Please get your moon themed items and foods sorted now in anticipation.
“For some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.”
“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”
“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”
“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”
“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”
“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”
A.O. Scott and Lauren Wilford on “My Neighbor Totoro”, 2017.
every time this shows up on my blog, I’m rescheduling it to show up again at a later date so I can keep remembering how important a child’s perspective is.
everyone's saying it but yeah the new tumblr desktop layout is complete garbage lmao
yknow what i really can't fucking stand. how every social media now feels like it's designed for mobile first but then subsequently there is NO design for desktop and they just kinda slap a mobile interface onto a widescreen canvas and fill it with a solid color. like why is what feels like 60% of my dashboard just negative space on a 16:9 monitor. the entire thing is so fucking claustrophobic and just bunched together. use the space!!!! why are the timeline switcher tabs at the top of the screen getting cut off!!! you could fit all of them!!!
LIKE WHAT IS GOING ON HERE
I haven’t had sex in 4 weeks
This comment goes. Lol, no idea what this means. But fuck it, right? No? Ok. More cigs plz. But for real, this girl is awesome, so jealous of her multiple men that she’s with. I’d probably like, quit my job tbh
What
Lol. Win. This girl is the best, I’d blow all of my little cash fund to see her, but. Fuck life
So I think the best strat here is for the users who did get the new layout to just stop using the desktop version of the site for a while, like a week or a month or however long their 'experiment' is supposed to last, while the users who didn't get the new layout should keep using the desktop version like normal or, perhaps, use it even more than usual.
My guess is that they're doing basic A/B testing on the new layout to see if it would boost engagement: the userbase is split roughly 50/50 between the 2 versions and they are going to be comparing the engagement data between the 2 groups of users to see if it's worth it switching everyone to the new layout or not.
Basically, if you got the new layout and don't like it - don't use it. If engagement metrics of group B (new layout) are lower than those of group A (no change), the experiment will be considered a failure and they will have to reverse the change.
If your tumblr suddenly looks like twitter - it's a sign to log off and go touch some grass! (or just use the mobile app since that engagement data isn't relevant to this particular experiment)
jessicameleon